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The Roger Allers Legacy Scholarship Award honors the legacy of Roger Allers, an acclaimed filmmaker whose work has shaped generations through the power of stage, screen, and storytelling. He is best known for directing the global blockbuster film The Lion King (1994) and earning a Tony Award nomination for adapting it into the highest grossing Broadway musical of all time. He was a pivotal force of the Disney Renaissance, with his master story work on Beauty and the Beast, The Little Mermaid and Aladdin, setting the bar for all who came after. Roger Allers exemplifies the art of storytelling transcending medium.
The Roger Allers Legacy Scholarship Award is broken down into 3 distinct scholarship categories available for entry: Director, Story Artist and Librettist. Each scholarship has it's own specific submission requirements, and it's own legendary industry-leading mentors included in each mentorship.
In the spirit of Roger Allers, these scholarships will uplift artists who are not only crafting stories—but shaping experiences that will resonate across cultures and generations. It is an investment in voices that dare to imagine, innovate, and inspire.

John Musker is an award-winning American director, producer, screenwriter and official Disney Legend. Musker is best known for writing and directing the Disney animated films, The Little Mermaid, Aladdin, Hercules, Treasure Planet, The Princess and the Frog, The Great Mouse Detective, and Moana.
Kirk Wise is an Oscar-nominated director, producer, and screenwriter, best known for his work at Walt Disney Animation Studios. Wise has directed Disney animated films such as Beauty and the Beast, The Hunchback of Notre Dame, and Atlantis: The Lost Empire.
We invite applicants to submit work that reflects their voice as a director—your ability to shape story, guide performance, and bring a cohesive vision to life.
1. Please submit one of the following:
Submissions may be created using any animated medium, including 2D hand-drawn animation, 3D animation, stop motion, claymation, or other techniques.
Whether created independently or with a team, your submission should clearly demonstrate your directorial choices, storytelling instincts, pacing, staging, and overall creative vision.
2. Directing Role & Credits
Please include a brief description of your role in the project. If the work was created with a team, clarify your directing responsibilities, including how you guided story, collaborated with artists, and shaped the final piece. You may also include any additional directing credits or relevant experience.
3. Personal Video (Selfie Submission)
Include a short selfie video (1–2 minutes) sharing:
This is a chance for us to understand not just your work, but your perspective and leadership as a storyteller.

Brenda Chapman is an American animator, screenwriter, storyboard artist, and director. In 1998, she became the first woman to direct an animated feature from a major studio, for DreamWorks Animation on Prince of Egypt. In 2012, she directed the Disney/Pixar film Brave, becoming the first woman to win the Academy Award for Best Animated Feature.
Gary Trousdale is an Oscar-nominated director, animator, screenwriter and storyboard artist. He is best known for directing films such as Beauty and the Beast, The Hunchback of Notre Dame, and Atlantis: The Lost Empire.
We invite applicants to share work that demonstrates their ability to translate story into compelling visual sequences—using drawing, staging, and character to bring moments to life.
1. Please submit one of the following:
A fully boarded sequence from a script or book in PDF format.
Your submission should clearly show your ability to build story through visual progression, including composition, character acting, emotion, and clarity of storytelling.
Original Interpretation
You may work from original or existing source material (script, book, etc.), but your boards must reflect your own original visualization. Please note: you must have the appropriate rights or permission to use any material you do not own.
We are looking for your interpretation—not a replication of existing film or shot-for-shot copying. Please list your source material if applicable.
2. Drawing Portfolio (Optional but Encouraged)
You may include a drawing portfolio that highlights your draftsmanship, character work, and visual storytelling sensibility.
3. Personal Video (Selfie Submission)
Include a short selfie video (1–2 minutes) sharing:
This helps us connect with your voice, process, and point of view as a storyteller.

Sir Timothy Miles Rice is an Oscar and Tony Award winning lyricist, librettist and songwriter. He is best known for Evita, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, Chess, Aida, Aladdin, The Lion King, The Lion King Broadway musical, and the Broadway stage adaptation of Beauty and the Beast. He also wrote lyrics for the Alan Menken musical King David, and for DreamWorks Animation's The Road to El Dorado.
Ken Cerniglia has been a resident dramaturg and literary manager for Disney Theatrical Productions for 16 years. He has developed over 70 stage titles for Broadway, touring, international, and licensed productions, including The Hunchback of Notre Dame, Freaky Friday, Aladdin, Newsies, The Little Mermaid, High School Musical, Tarzan, and Marvel Spotlight Plays, and edited two official Broadway “making of” books, Peter and the Starcatcher: The Annotated Broadway Play and Newsies: Stories of the Unlikely Broadway Hit.
We invite applicants to submit work that demonstrates their ability to shape story through language, structure, and lyrical narrative—crafting dialogue, lyrics, and text that support and elevate storytelling across media.
1. Written Work Samples
Please submit two contrasting writing samples that best represent your range as a librettist (for example: tone, genre, or style differences).
Your work may include, but is not limited to: scripts, librettos, lyrical scenes, musical theatre writing, narrative lyrics, or other story-driven text formats.
Project Synopsis
Include a brief synopsis of your work (maximum 150 words) describing the context, intent, or story of each submission.
Source Material
Please include a list of any source material used (script, book, folklore, historical reference, or original concept inspiration).
2. Audio / Demo Material (If Applicable)
If your work includes music or lyrical performance:
3. Personal Video (Selfie Submission)
Include a short selfie video (1–2 minutes) sharing:
This is an opportunity for us to understand your voice as a writer and storyteller, and how you shape narrative through words and rhythm.
"Before the hero can return, he must leave. Before the kingdom can be restored, it must fall. Exile is the ingredient that can make stories timeless" ~ Director Roger Allers



ROGER ALLERS directed the original 1994 animated worldwide phenomenon and Disney Classic, The Lion King. He is responsible for the idea of using the African phrase "Hakuna Matata" for Timon and Pumbaa's song, as well as the concept of "The Circle of Life" for the opening number of the movie. He later received a 1998 Tony nomination for adapting his film to the stage for The Lion King Broadway musical.
A driving force of Disney’s Renaissance era of the 1980s and 1990s, Allers served as Head of Story on Beauty and the Beast, shaping pivotal scenes such as “Belle”, Be Our Guest”, and the “Beauty and the Beast” ballroom scene. As Story Artist on The Little Mermaid, Allers created iconic moments including “Part of Your World,” “Poor Unfortunate Souls,” and “Kiss the Girl.” He was Head of Story on Oliver and Company and contributed Story on Aladdin and The Rescuers Down Under, as well as Concept Design on the groundbreaking cult classic film TRON.
Mr. Allers earned an Academy Award–nomination for directing the short film, The Little Matchgirl for Disney, and went on to direct Open Season, the very first animated feature from Sony Pictures Animation, and wrote and directed The Prophet, adapted from the beloved book of philosophical poetry by Khalil Gibran.

Please reach us at team@ctnfoundation.org if you cannot find an answer to your question.
Both are welcome. You may submit a solo-directed film or a project created with a team. We evaluate submissions based on the strength of the storytelling and overall execution. If you’ve directed a team, that can also highlight your leadership and collaboration skills—but it is not required. The award is presented to the director.
No, be sure your submission clearly reflects the strengths and intent of the category you are applying to.
It is acceptable to submit work inspired by existing material, particularly when used in a non-commercial educational or portfolio context. Applicants should simply acknowledge source material when applicable and ensure they are not misrepresenting ownership of work they did not create.
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